Film Review

Scream 7

Recommended The Guardian January 1, 2026
Score 3/5

A Knight of the Seven Kingdoms had almost zero hype around it. Not from book readers of GOT books, not from casual fans, not even from people who loved Game of Thrones or House of the Dragon. I’m one of those people who joined the party late. But wow. This show feels nothing like the other two set in this world. It feels like fresh air.

Instead of epic wars, political chaos, and constant brutality, this show leans into something softer. More grounded. Almost slice of life. And that is exactly what makes it stand out. It saves itself from comparison. House of the Dragon carried the burden of being compared to the original series and sometimes felt like it was trying too hard to be intense and shocking. But this show does not scream for attention. It just quietly exists.

The opening scene sets that tone perfectly. Somber. Melancholic. No loud epic music. Just rain, silence, and a lonely shot of Duncan standing in a field. Peter Claffey plays him with such…

His Ser was not his father, but he was the closest thing to one. Duncan was an orphan. This man gave him food, shelter, purpose. Even if he was harsh. Even if he treated him badly. That kind of complicated bond leaves marks. You can sense the shadow Duncan has lived under his entire life.

Throughout the episode, you see him trying to step out of that shadow and build his own identity. And yet, when he interacts with Egg (Dexter Sol Ansell) he unconsciously mimics his Ser. He threatens him the same way. Says things like he will beat him if he deserves it. But you can tell he does not mean it the same way. He says it out of habit, not cruelty.